Wednesday, 4 November 2026

THE CURSE OF TUTANKHAMUN : FROM WILLIAM CROSS, FSA SCOT

 


Carnarvon - Tutankhamun and Howard Carter

Howard  Carter’s view of the so called curse of Tutankhamun  was summed up by him  in one  word,  ‘Tommyrot’.  

It was something man made and encouraged by local Egyptians  whose heritage was being removed by foreigners all around them,  coupled with daft stories  fuelled  by journalists fighting for a good headline.  

After  1922 there were  several deaths of folk caught up in the Tutankhamun tale, the curse was introduced and hysteria and human playfulness  set  it to work.

Lord Carnarvon’s death (from throat cancer) was inevitable, it was inconvenient and had to be  staged managed. 

Some of the other demises attributed to the curse were  exaggerated   odd-ball, they  were not well enough explained or  facts were taken liberty with,  but nothing of this was  owing to any curse from the ancients.  Causes of death are often secret or  bizarre and complicated by circumstances of  fate and madness or even  medical incompetence. 

Many of those folk who feature  in the King Tut  story were affected by family secrets,  bad habits, poor health and incautious living. The hot climate of  Egypt  affected many of them  more so than any curse acting to strike them down dead.  

Howard Carter lived and ate, slept and worked constantly  in the tombs in Egypt  for many years,  he was not afraid or needed to be afraid of curses, he was more concerned with avoiding disease and taking sufficient respite and drinking enough whisky to  blot out  a hard day’s graft and  ease his  fragile body frame!

Moreover Carter did not subscribe to the stories ( fostered even by some  academics)  about  so called warning  signs  being present  for  him and Carnarvon  or threats being  given. Carter deemed these  the work of  troublemakers. 

There are no warnings in old writing texts  that Carter considered  wary,  or dangerous,   or fearsome  other than those from and by errant priests to  warn off  grave robbers, thieves and the gullible. There was  certainly no threatening  sign of death will come etc  to those who disturb the tomb. Nothing  like this was found  in or above the tomb  or evidence of intervention by the gods, the crazy things cited were only of acts that were the work of human hands. 

The cobra that consumed Carter’s canary, the lights going out in Cairo as Carnarvon died, a dog  howling and  perishing at the same moment  at Highclere  Castle.  These are  all fictions or have scanty facts dressed up as true.   All a charade,  the work of hacks planting and keeping going a story,  that began with  the Cairo correspondent of Reuters News Agency making world  news with  the so called insect bite affecting Carnarvon  rather  than revealing the true story of  Carnarvon being in extremis with a  terminal illness.  

Ploys by news agencies like Reuters  were to deflect attention away from the real crisis of Carnarvon being doomed, especially with so much money at stake with media deals etc  All this chaos and crisis caused Almina’s daughter Lady Evelyn  Herbert ( acting as the Earl's nurse)  to panic, Carter was at loggerheads with the Carnarvons and turned his back on his patron,  and Almina ( Carnarvon's wife)  rushed to her husband’s bedside to aid his passage into peace and oblivion.

All that said Lord Carnarvon was superstitious by nature  and had a keen perception of all the  ancient myths, however  his vaulting ambition to make money from the tomb overcame his fears. 

Carnarvon, Carter and Tutankhamun's lives were all cursed, they were affected personally and across  their overlapping lives  on more down to earth factors, on account of bad genes, inbreeding and  trauma during their development years. This blighted them and made them the people that they were, three dysfunctional adults.

But all that said no one can take away the glory of  Howard Carter and Lord Carnarvon being celebrated this year, 100 years after 1922 for discovering the great tomb of Tutankhamun. 

FOR FURTHER INFORMATION CONTACT THE AUTHOR WILLIAM CROSS  

   email  williecross@aol.com

NB William Cross' book written for the centenary of 2022  entitled  "Lies, Damned Lies and the Carnarvons" challenges many of the landmark events in the story of the discovery of Tutankhamun. 

"Lies, Damned Lies and the Carnarvons"
From William Cross, FSA Scot





WHY LORD CARNARVON BEGAN DIGGING FOR TOMBS IN EGYPT

 

Lord Carnarvon

The Catalyst That Led To Lord Carnarvon 

First Digging for Tombs in Egypt

With the motor car accident in Germany re-dated  1909, that event could not have been the trigger that led to Lord Carnarvon taking up exploring in tombs in Egypt. By 1909 Carnarvon and Howard Carter were already digging at Thebes.

The truth of what started the Earl's interest in Egyptology  can be found after a holiday taken by him to the USA in 1903.

Extract below from the book  "Lies, Damned Lies and the Carnarvons" (2022) by William Cross, FSA Scot.

Jeremiah Lynch of San Francisco 

 The Man who Inspired Lord Carnarvon 

During a trip to the USA  in 1903  Lord Carnarvon and his wife  Almina were invited to a dinner  hosted by a maverick Irish-American ex-senator named Jeremiah ‘Jere’ Lynch[i] at his Bohemian Club in San Francisco where a gathering of local people joined the Earl’s party.[ii]

Lynch enjoyed a busy life as a former senator and gold prospector in the rush to the Klondike of 1898. He also travelled in Egypt, lived for a long spell in Cairo and had written a book, “Egyptian Sketches” [iii], all about these experiences. 


Egyptian Sketches by Jeremiah Lynch


Lynch  even owned a female mummy, a figure wrapped in a shroud that stood at the foot of the Club’s inner staircase.



Lord Carnarvon was excited listening to Lynch’s convoluted tales about Ancient Egypt.

Lynch was a long-standing lover of Egypt and its tombs. This ancient world much  intrigued Carnarvon. The  tantalising tales of Egyptian tombs and mummies in the rocks at Deir-el-Bahari were especially attractive to hear when Lynch proclaimed that comparatively few notable Egyptian mummies of the wealthier kind had ever been recovered. 

It was Jeremiah Lynch who stirred dramatically Lord Carnarvon’s interest towards focusing on Egypt as a haven for antiquities; a quest-cum-passion that would lead to triumph but also to his demise before he could reap any benefit from the many years of high expense, (met by Almina[iv]) and of sweat, toil and falls-outs with Howard Carter.


Interestingly, Lynch went on to remove additional mummies from Egypt following the loss of his Bohemian Grove mummy in a fire,[v] and enlisted Carnarvon’s help in getting permission to do so from Lord Kitchener.[vi]


Always a close friend of Almina and Lord Carnarvon, Lynch died in 1917; he has since been forgotten and is still overlooked in the Carnarvon-Tutankhamun tale. Professor Brian Fagan renewed Lynch’s candidacy for mention in the Tutankhamun Timeline in his book “Lord and Pharaoh: Carnarvon and the Search for Tutankhamun.” [vii]

Fagan is clear that this meeting " triggered a much more serious interest in Egyptology for Carnarvon".

Egyptologist Toby Wilkinson goes a little further in his “A World Beneath the Sands:Adventurers and Archaeologists in the Golden Age of Egyptology” (2020):

 “In January 1903, in San Francisco’s Bohemian Club, Carnarvon met a former US senator by the name of Jeremiah Lynch ..…Inspired by Lynch’s account, Carnarvon decided to make Egypt his winter home…”


EXTRACTED FROM 

" LIES, DAMNED LIES AND THE CARNARVONS" BY WILLIAM CROSS



[i] Jeremiah Lynch (1849-1917) of Irish-American parentage. Traveller and adventurer in Egypt (1889). San Francisco stockbroker (Callaghan and Lynch) and later New York business man. Author of Egyptian Sketches (1890) and The Lady Isis in Bohemia (1914). In 1907 (only four years after meeting Lynch) Lord Carnarvon sponsored the excavation of the tombs in Deir el-Bahari (Thebes).

[ii] The San Francisco Call of 31 March 1903 lists the attendees as Miss Charlotte Russell, Miss Alice Hager, Miss Ethel Hager, Miss Linda Cadwalader, Miss King, Miss Helen Wagner, James D Phelan, Enrique Grau, Clement Tobin, Donald de V Graham, Dr Johnston and Richard McCreary

[iii] Lynch, Jeremiah  Egyptian Sketches  London:  Edward Arnold (1890).

[iv] Almina’s access to the millionaire Baron Alfred de Rothschild’s wealth base through her mother’s association with Alfred funded the years of digging in Egypt.

[v] Great San Francisco Earthquake and subsequent fires took place on 18 April 1906.

[vi] Lord Kitchener (1850-1916) was Consul General in Egypt, 1911-1914.

[vii]  Brian Fagan. “Lord and Pharaoh: Carnarvon and the Search for Tutankhamun”. Left Coast Press INC International Concepts. (2015).

Sunday, 1 November 2026

TUTANKHAMUN REVISITED BY WILLIAM CROSS, FSA SCOT

 TUTANKHAMUN CENTENARY REVISITED

ALMINA COUNTESS OF CARNARVON  PLAYS  OUT  HER OWN  GAME OF CHARADES 

Almina, Countess of Carnarvon

In November-December 1922  whilst Howard Carter and  Lord George  Carnarvon were playing out their  choreographed games around the Old King Tut discovery  and then entering into  Tutankhamun’s tomb,  Almina, Carnarvon’s wife was missing from the centre stage at Luxor.  

Almina was playing out her own game of charades.                     

The woman who forked out  the money  for  the  14 years of digging through the generous  hand-outs  she secured  from  her sugar daddy,  Baron Alfred de Rothschild, was sorting out  how to add to her  bank balance.

The reason for  Almina’s absence  on  the first November 1922 trip by her husband  to Egypt  is crowded with surreptitious art deals and sneaky arrangements, the usual level of  Carnarvon lies that have confused history.  

Year on year, for 20 years, Lady Carnarvon had accompanied his Lordship  to Egypt.  Upon the epic discovery being made, and Howard Carter’s famous telegram, Almina  declined to go out to the scene of the great triumph.  This was because she had other bigger fish, much bigger fish to fry in the hotels  of Paris and in the English countryside, as far away as possible from the eyes and tongues of London spies.

One cute explanation given was that “being so often disappointed [on previous journeys to Luxor ] [Almina] decided  to  stay behind.”  [i] [ in England].

Colonel Ian Onslow Dennistoun and Almina, Countess of Carnarvon

Another reason, the true one,  is clear.  Almina was already  deeply involved  in a relationship with  Lt Colonel Ian Dennistoun, whom she later married a few months after  she   humanely hastened  Lord Carnarvon’s demise in the days she spent nursing him at the Continental Hotel,  Cairo from 26 March- 5 April 1923. 

 Almina  was seeing the Colonel and they were lovers. 

 This fact came out  in the High Court in 1925  during the  17 day sex scandal Dennistoun v  Dennistoun.  

 The Colonel – and his ex wife Dorothy may well   have had a cunning plan to deceive Almina,  but the Countess saw through any ploy.   She wanted the Colonel and  had him in her bed.   Moreover , he  was the fall guy, the  patsy. 

Almina’s plan was also  to money launder the proceeds of  her intended  art  sales through   Ian Dennistoun’s   barren bank  account. Ian was skint, he lived on a tiddly  army pension and hand outs from the  helpless  women he chased.

Baron Alfred de Rothschild

In the winter of  1922/3  the Countess was busy wheeling and dealing over the estate left to her by  Baron Alfred de Rothschild.  Alfred, a shrewd  collector of old Masters, Gainsboroughs,  French porcelain,  rare silver and the finest  jewels treated Almina well, he secured the title for her of Countess of Carnarvon, he funded the Carnarvons’ whims  for decades; but he had to as Almina’s mother Marie Wombwell  was aware and ready to disclose Alfred’s cloudy business  and shameful sex secrets to the world.

[i]  Sunday Times, 10 December, 1922.


READ MORE IN 

" LIES, DAMNED LIES AND THE CARNARVONS"

A CONTROVERSIAL BOOK FROM

WILLIAM CROSS, FSA SCOT



Lies, Damned Lies And The Carnarvons


ENQUIRIES : CONTACT WILL CROSS BY E-MAIL

williecross@aol.com   




 


Friday, 2 October 2026

FORTUNE PRESS WRITERS ON FRIDAY : GILBERT WAKEFIELD: 1892-1963

 


FORTUNE PRESS WRITERS ON FRIDAY

Gilbert Wakefield (1892-1963)
Barrister, Author, Playwright, Actor, Critic & Film/ Screen Writer
Fortune Press published Wakefield’s play “ Room For Two” A Farce, in 1938.
See Timothy D’Arch Smith 577.


The book contains an brave essay entitled “ A Preface on Censorship”.
Gilbert Wakefield was born on 23 April 1892 in Sandgate, Kent. He was educated at Harrow, and University College, Oxford, served in the Great War, and was wounded in France, and afterwards worked in the Intelligence Department at the War Office. In 1919 he was called to the bar, but his passion was for the stage and film.
His film scripts include Sally Bishop (1932), Lord Camber's Ladies (1932) and The Divorce of Lady X (1938) ( that starred Laurence Olivier), and is a movie still readily available.
Wakefield was drama critic for the Saturday Review from 1930-1932.
He was married to the stage and film actress beauty Isabel Jeans ( 1891-1985) and they lived in St John’s Wood, London. They were regularly photographed together in Society corners.

Gilbert died on 4 July 1963 in London.


For further information, please email William Cross

williecross@aol.com

 


Thursday, 17 September 2026

FORTUNE PRESS WRITERS : TERENCE GREENIDGE : 1902-1970

 


Waugh people at Lundy Island in 1925. Pictured from left to right are Olivia, Gwen and David Plunket-Greene and  Terence Greenidge


FORTUNE PRESS WRITERS ON FRIDAY

Terence Lucy Greenidge (1902–1970)

Poet, novelist, playwright, film-maker and actor. A native of Oxford and product of Rugby Public School. He was a close friend and contemporary of Evelyn Waugh at Oxford. and was a founding member of the infamous Hypocrites Club. He collaborated with Waugh in producing “ The Scarlet Woman: An Ecclesiastical Melodrama” a silent movie of note. More on this if you Google it.

Among the works by Greenidge published by Fortune Press are:

The Magnificent. A story without a moral (Fortune Press, 1933)

Brass and Paint: A Patriotic Story (Fortune Press, 1934)

Tinpot Country: A story of England in the Dark Ages (Fortune Press, 1937)

Philip and the Dictator. A romantic story (Fortune Press, [1938])

Girls and Stations, etc. [Poems.] (Fortune Press, [1952])

See Timothy D’Arch Smith 243-247

Greenidge’s first two novels were seized and banned by the powers that be. Police confiscated “ The Magnificent” and “Brass and Paint” under the Obscene Publications Act of 1857. Both books were destroyed. However, RA Caton at Fortune Press, failed to comply with the destruction order and a handful of copies were still available for several years. All of Greenidge’s titles are now very hard to find.

Terence’s first publication was "Degenerate Oxford" (1930) , this is a curious defence of the varsity of youth. One copy is currently on sale on Abe Books for £250. Will would be most happy to accept it as an early Xmas present.

As an actor Greenidge was occasionally seen in the West End of London shows and overseas and regional tours organized by the British Council and playing Shakespeare at Stratford. On film he appeared in Larry Olivier’s production of “Richard III”.

Famously, as a protest Greenidge withheld paying his income tax for 10 years, citing the BBC payments systems to actors as “ mean and cruel”. He was later declared bankrupt.

Greenidge married but exact details of his wife ( Nora ) are sparse.

A remarkable and recent summary of Terence Greenidge’s life and his mental health struggles, deliciously written by Hannah Minton, can be gleaned on this web link. A MUST READ!

https://substack.com/home/post/p-156712472


WILLIAM CROSS, FSA SCOT

CONTACT WILL FOR MORE INFORMATION

williecross@aol.com





 

 






Friday, 28 August 2026

Fortune Press Writers : Hugh Ulric Swinscow Nisbet ( or Nisbit)

 

Fortune Press Writers

Hugh Ulric Swinscow Nisbet ( or Nisbit)

1897-1987

Author of Fortune Press title " SPREAD NO WINGS"


Nisbet for a writer and scholar.

A determined sleuth in search of the identity of the person to whom William Shakespeare dedicated the intriguing “ Sonnets”, concluding that the bard's dedicatee was one William Herbert, a member of the Earl of Powis’s lineage. [ The debate there still rages.]

Fortune Press published Nisbet’s novel “Spread No Wings” ( 1937).

A curious tale of a marriage.

See Timothy D’Arch Smith 401

Among Nisbet’s other works are:

Thoughts on the purpose of art (1934),) “ Old school tie: recollections of Marlborough before the First World War” (1964). Under the pseudonym Hugh Callaway he published “The onlie begetter”(1936), “ Bridge to world man” (1960), “Super-sense: a beginning” (1967) and “The new consciousness (alternative to chaos)” (1971).

He married the American artist Christine Bacheler (1902-1991)

They settled in Salcombe, Devon.


WILLIAM CROSS, FSA SCOT

CONTACT WILL FOR MORE INFORMATION

williecross@aol.com




 




 

 

Friday, 17 April 2026

FORTUNE PRESS WRITERS ON FRIDAY : NICHOLAS MOORE: 1918–1986

 


FORTUNE PRESS WRITERS ON FRIDAY
A short glance by William Cross, FSA Scot
Nicholas Moore
1918–1986
Publisher, Author, Editor, Poet, and Jazz Man.
‘Expansive, Eloquent, Self-conscious’ and Life-Affirming’ says Mark Ford.
Moore was a remarkable and eccentric fellow with a sizable poetry output and much input into the 1940s New Apocalyptics movement. From his schooldays Moore wrote poetry every day and submitted it to various magazines. During his years as an undergraduate at St Andrews and Cambridge Universities, Moore began his own literary review, “Seven”, working there as both editor and co-founder. After his graduation he continued to live in Cambridge, publishing pamphlets as part of the famous “Poetry London” imprint sweeping in the works of Dylan Thomas, George Scurfield, G S Fraser and Anne Ridler. His later collaborators included well known literary figures of the day including John Bayliss, Douglas Newton. Wallace Stevens Alfred Perlès, Julian. Maclaren-Ross, Conrad Aiken, Lawrence Durrell, Christopher Fry Henry Miller,. Saul Bellow, Paul Goodman, Rainer Maria Rilke, and Allen Tate.



Nicholas Moore, pictured above, with his book " The Island and the Cattle" holds a ubiquitous presence in the annals of the Fortune Press volumes including acting as the editor of several important anthologies:
MOORE’S FORTUNE PRESS TITLES INCLUDE
“The New Apocalypse: An Anthology of Criticism, Poems and Stories”
Fortune Press. 1940
“ The Island and the Cattle”
Fortune Press. 1941
“ A Wish In Season”
Fortune Press. 1941
“The Fortune Anthology - Stories, Criticism and Poems.”
Fortune Press. 1942
“The Cabaret, the Dancer, the Gentleman”
Fortune Press. 1942
“Thirty-five anonymous odes”
Fortune Press. 1944
“New Poetry”
Fortune Press. 1944
Design front cover is by Lucien Freud


NB Moore’s “ The Glass Tower”, ( Published by Nicholas & Watson), a selected poems collection from 1944, also appeared with illustrations by the young painter, Lucian Freud – it is a very much sought after and expensive work.
“Atlantic Anthology: New Voices”
Fortune Press, 1945
Moore also wrote as Guy Kelly


“The War of the Little Jersey Cows
Fortune Press, 1945
See Timothy D’Arch Smith 14, 22, 23, 26, 29, 325, 391-393
One contemporary comments that Moore “ faded into obscurity through a series of misfortunes and mysterious circumstances.” Another adds "Amid the scrambled history of neo-modernist revivals, the case for rediscovering Nicholas Moore recurs. Although prominent in the 1940s, Moore was subsequently neglected. Interest revived, along with new publications, in the late 1960s and early 1970s."
Many of his poems are addressed to his first wife Priscilla Craig, with others dedicated to jazz musicians. Moore had a shambolic, nomadic and chaoic home life over several decades from the late 1940s, into the 1950s, with a mixture of family deaths, poverty, martial and work bumps and serious publishing failures, he was also in very poor health, disabled and ultimately, despite some clever attempts aimed to bounce back, he was left in bits, failed and lost. A very sad epitaph to a natural born poet and an imaginative mind.
The Island and the Cattle
Because he sent a head of cattle on
Further than they should go, over the dykes,
Driving them with a switch and a dog beside him:
They sank in the quag, and he,
Frightened because of his sin, disappeared,
Never to be noticed again in that country:
Because he told them, in a letter,
That it was not his fault, he had gone mad,
Driven towards the sea by a vision of birds
Who whistled over his head in the wind,
Leading to a qujet island. He found a girl there,
Lay with her in the rushes, her beauty
Like a star being too much for him.
The wind rose, the morning was grey, his vision gone:
There was no girl, there were no cattle, and it was day.
—Nicholas Moore


Questions/ enquiries etc - contact Will by email